Wednesday, February 15, 2012

Why Schoenberg is (still) contemporary

On March 4, counter)induction will present "Where Words Leave Off...," a concert exploring the written word as inspiration for music. On this program we will perform Arnold Schoenberg's Ode to Napoleon Buonaparte, Op. 41, composed for string quartet, piano, and recitation.


George Gordon, Lord Byron, wrote his large-scale poetic work Ode to Napoleon Buonaparte in 1814, upon the ignominious abdication of that leader. His stanzas drip with sarcastic disappointment, castigating Napoleon's vanity and greed. Arnold Schoenberg took up Byron's work and composed his Ode during World War II, as a work of protest against that tyranny. In light of the Arab Spring and the continuing bloody struggles in Syria and Bahrain, the messages of Schoenberg's 1942 musical work, and of Byron's 1814 poem, seem distressingly contemporary.


I am so pleased that we are able to present this monumental work. If you don't know it, the poem can be found here.


We are especially fortunate to be joined by Paula Robison as reciter for this work. In addition to being a world-renowned flutist, she has given many critically acclaimed performances as reciter of of Schoenberg's Pierrot Lunaire. Meaning, hotter than hot. Join us for the free show - more info here.

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